Showing posts with label seventies. Show all posts
Showing posts with label seventies. Show all posts

Thursday, 21 January 2016

The 1972 Silver Machine Show -- Mix of the Month

The 1972 Silver Machine Show by Rock N Rail on Mixcloud



When I put this mix together a couple of weeks ago, I topped and tailed it with two tracks that would act as tributes to artistes that passed away in 2015: Silver Machine from Hawkwind featuring Lemmy on Bass and Vocals and Siberian Khartru by Yes featuring Chris Squire on Bass.

Hawkwind’s Silver Machine is such a strong, timeless track that, in tribute to it as well as Lemmy’s performance, I felt this collection should be great rock tracks from 1972, the year of its release.

And I had no idea then, that the third and tenth tracks chosen would also act as tributes. Tributes to David Bowie and Terence Dale 'Buffin' Griffin.

Like Silver Machine, everything Bowie has done sounds as good today as it did when first released. In some cases, they sound even better.

And, I am SO pleased I chose Jean Genie as, for me, it is the track that takes me back to listening to Radio Luxembourg through a naff one-piece ear-phone, listening to it in Tony Collins’s front room. It is just a perfect record in so many ways, rocking its way to the sky, filling every room and dream with electric guitar driven swagger. Fantastic. Fabulous and marvellous.

And ’72 was the big breakthrough year for Bowie. From Starman to producing and elevating the status of both Mott the Hoople and Lou Reed via Jean Genie, John I’m Only Dancing and everything Ziggy Stardust and those Spiders from Mars.

Ah. Mott the Hoople. Touched by the hand of Bowie, without which these ears would’t have heard the band that became one of my all time favourites. And Buffin, or Dale Griffin as he became known to us from ‘The Hoople’ onwards, was a stand-out member of the band. Apart from being a great drummer, he went on to ensure the bands’ legacy was preserved in print, movie and audio awesomeness. A true gent who’s passing didn’t go without a tear from me.

Back to this ‘mix’ and the final tribute track closes the collection. 'Siberian Khartru' from the classic ‘Close to the Edge’ by Yes, and another 1972 landmark. Some say the finest prog-rock album ever. Chris Squire’s imaginative, almost lead-bass work driving along this collections’ closing track with rock gusto that brings Roger Deans poster to life.

The rest of the tracks on this collection now pale into insignificance to an extent, but they also act as a reminder of how strong and exciting the music scene was in the early seventies. The fact that 40 years later these records and these artists are - in most part - still relevant tells us just how strong the industry was then. Great days. Great records. Great memories:

1. Silver Machine by Hawkwind.
2. Run, Run, Run by Jo Jo Gunne.
3. The Jean Geneie by David Bowie.
4. Don’t Waste My Time by Status Quo.
5. Hold Your Head Up by Argent.
6. School's Out by Alice Cooper.
7. Reelin' In The Years by Steely Dan.
8. Sylvia by Focus.
9. Burlesque by Family.
10. Sucker by Mott the Hoople.
11. Time Was by Wishbone Ash.
12. Siberian Khatru by Yes.

Wednesday, 25 September 2013

Record of the Week

Little Jody
by Blue


This was something that, once heard, I tried to track down and buy for what seemed like ages...

And it still remains one of my all time favourite tracks of all time. The guitar work is just sublime: the sound from it is deep, dirty and basic. Beautiful. Add to that a simple, succinct song structure of near-perfect proportions -- not too short and not too long -- and you have a potential classic on your hands.

John Peel thought so when he reviewed it in Sounds and made it his Record of the Week. And RSO Records probably thought so too. And why not? The band were formed and fronted by ex-Marmalade hit-writer Hughie Nicholson and, it has to be said 'Little Jody' should have been another top-ten certainty.

But we all know by now that it wasn't and remains one of life's great mystery's.

I did manage to get hold of this record: I found the debut album 'Blue' in a rack of a record shop the year following release. It remains one of my favourite and most played albums to this day (it's on the iPhone as we speak!)

Peel loved them more than just voting this record of the week as records show the band recorded a number of sessions for his Radio 1 programmes in the seventies.

Buy the album at amazon...

Wednesday, 16 January 2013

Record of the Week

Negative Earth
by Barclay James Harvest



I first came across this track, and this band, courtesy of a flexi-disc given away free with Sounds. Sounds was a great music paper: better than both NME or Melody Maker but sadly no longer with us.

Anyway, this flexi-disc, which was a Polydor promotion, featured this track by the band some in the press dubbed the 'Poor Man's Moody Blues'. Was never sure about that, but found from this moment on that for me they hit a certain spot.

After all these years, this particular track is still a stand-out. I didn't know it then but the album its taken from - Everyone Is Everybody Else - was their first on Polydor after several years on EMI, where they even gave their name to the Harvest Record label (if you believe some legends)... but their thunder was stolen by label-mates Pink Floyd, who became the stellar act on that roster.

The production here is very clean. The playing heavy, in a soft and considered way, adds to the haunting nature of the song. It is certainly a great trailer for the album which, if you try to listen to, won't disappoint either.

As time has gone by, this is one those that would get added to an extended desert island selection. And if anyone is doing market research on that 1974 flexi-disc, well, it worked as I went out and bought the album!

Get it from iTunes...
Buy the CD on Amazon...
Band History and info...